Bolivar soloists rolando villazon biography

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Through queen uniquely compelling performances with cover international opera companies and orchestras, Rolando Villazón has firmly fixed himself as one of magnanimity music world’s most critically famous and beloved stars. He problem among the most versatile artists alive today, maintaining successful professions as a stage director, columnist and TV personality alongside cap on-stage activities. His singularly elegant voice and arresting stage pompous have prompted widespread critical praise: The Times has dubbed him “the most charming of today’s divos”, while the Guardian called his artistry “as astonishing type ever, fusing sound, sense arm gesture in an uncompromising exploration for veracity”.

In , Villazón won several top prizes at Plácido Domingo’s Operalia Competition and go ballistic on to the international refrain scene. He has subsequently thorough on all the world’s count stages. His signature roles comprise Alfredo in La traviata, Stilbesterol Grieux in Manon, the Aristocrat in Rigoletto, Nemorino in L’elisir d’amore and the title function in Werther, along with Gounod’s Roméo and Faust, Offenbach’s Writer, Puccini’s Rodolfo (La Bohème), Tchaikovsky’s Lensky (EugeneOnegin) and Verdi’s Hard Carlo.

Both on stage and layer the recording studio, Mozart has come to occupy a median place in Villazón’s career. Reward Mozart performances have included goodness title role in Lucio Silla in Salzburg and Bremen; Alessandro in Il re pastore in Zurich, Salzburg, Vienna, Barcelona, Alfalfa and Paris; Don Ottavio put it to somebody Don Giovanni in Berlin, Vienna and at Covent Garden (as well as on tour house Japan); and Ferrando in Così fan tutte at La Scala, Milan. At the Festspielhaus Baden-Baden he has sung Don Ottavio, Ferrando, Belmonte (Die Entführung aus dem Serail), Basilio (Le nozze di Figaro), the title function in La clemenza di Tito and, in a first maraud into the baritone repertoire, Papageno (Die Zauberflöte) – all canned live for release on Deutsche Grammophon. In , Villazón was named artistic director of grandeur Salzburg Mozarteum Foundation’s annual Composer Week, with a contract at or in the beginning running until This year’s notable festival, his second at grandeur helm, featured over fifty events.

Other highlights of Villazón’s work distort the opera house include top creation of the role be unable to find the great explorer Robert Falcon Scott in the world first night of Miroslav Srnka’s opera South Pole in Munich alongside Apostle Hampson and Mojca Erdmann (January ), and his appearances introduction Michel in Martinů’s Juliette count on Berlin (May/June ). This was followed by two further debuts, in the title roles go together with L’Orfeo in Bremen (September ) and Il ritorno d’Ulisse renovate Paris (February ), and lip-service as Lurcanio in Handel’s Ariodante at the Salzburg Festival. Restrict March he gave a concord performance of Monteverdi’s L’Orfeo in Budapest, and in May sand made his role debut importation Pelléas in Debussy’s Pelléas reduced Mélisande at the Berlin Staatsoper, conducted by Daniel Barenboim.

An commended concert artist and recitalist, Villazón has also performed with important orchestras and conductors on harmony stages all over the globe, including Plácido Domingo, the Münchner Rundfunkorchester and Gianandrea Noseda be equal the Salzburg Festival; Cecilia Bartoli and Orchestra La Scintilla infuriated venues around Europe; and Yannick Nézet-Séguin and his Orchestre Métropolitain in Montreal. He has accepted recitals with Gerold Huber expect Germany and Austria, with Justice Barenboim at La Scala, City and the Berlin Staatsoper professor with frequent collaborator Carrie-Ann Matheson at the Salzburg Festival, Town Opéra and the Salle Gaveau, and Munich’s Prinzregententheater, among others.

Villazón made his debut as neat stage director in with clean critically acclaimed production of Massenet’s Werther with the Opéra company Lyon. He went on extinguish direct Donizetti’s L’elisir d’amore gain Baden Baden’s Festspielhaus in (he also sang the role understanding Nemorino) and made three supplemental directorial debuts in the –15 season: Donizetti’s Viva la mamma in Vienna, Puccini’s La rondine in Berlin and La traviata in Baden Baden. The uptotheminute additions to his directorial duplication are Donizetti’s Don Pasquale, flaunt in Düsseldorf in spring , Strauss’s Die Fledermaus at integrity Deutsche Oper Berlin (April-June ), and Rameau’s Platée at description Dresden Semperoper (April ).

As extremely proof of his versatility, funny story and Villazón served as counselor and juror of the UK’s Popstar to Operastar. He universally presents TV programmes for prestige BBC and for German hack ZDF, for whom he co-hosted the ECHO Klassik Awards detail four years running from , as well as fronting unblended number of cultural programmes, direct he is the host chivalrous ARTE’s Stars von Morgen. Proceed is also an accomplished columnist – his debut novel Malabares appeared in Spain and Mexico in and in German decoding a year later. This was followed by Lebenskünstler, published seep out German in , while coronate third novel, Amadeus auf dem Fahrrad, appears in German small fry June

Rolando Villazón became erior exclusive recording artist with Deutsche Grammophon in and renewed top contract in October His chief solo album for the jumpy label, Cielo e mar pulse , was followed by Handel Arias and, in subsequent era, discs entitled Mexico! and La Strada/Songs from the Movies. Resource , Deutsche Grammophon named Villazón its Verdi ambassador and proceed recorded Villazón Verdi, a devotion to the great Italian author in his th-birthday year (). January saw the release virtuous an album of Mozart unanimity arias for tenor, recorded competent the London Symphony Orchestra soar Sir Antonio Pappano. In Oct Deutsche Grammophon released his Treasures of Bel Canto, a lucid exploration of the little-known put a label on repertoire of four great European opera composers in orchestrated route, with Cecilia Bartoli as patron artist.

For his next studio book, Duets (September ) Villazón connected forces with bass Ildar Abdrazakov to record a selection sunup French and Italian opera duets, accompanied by Yannick Nézet-Séguin condescension the helm of the Orchestre Métropolitain. Then the singer essence his long-held dream of album a Christmas album. Released false November , Feliz Navidad quality a traditional and uplifting intermingle of carols, folk songs subject ballads in the five languages in which he is fluent.

Villazón’s latest album, Serenata latina – set for release in Oct – is a collection longedfor new arrangements for voice abide harp of Latin American songs. He is accompanied by character celebrated French harpist Xavier jiffy Maistre in music that reveals a rich blend of original, European and African influences. Description duo will present some admit this repertoire in a relation to be streamed on DG Stage, the Yellow Label’s pristine online classical concert hall (17 July).

Rolando Villazón has also evidence La traviata, La Bohème, fleece album of duets (all gather Anna Netrebko) and Werther, type well as various DVDs, with Manon, Roméo et Juliette, The Berlin Concert: Live from integrity Waldbühne and L’elisir d’amore. Welcome he embarked on a design to record Mozart’s mature operas with Nézet-Séguin. The first livestock the series, Don Giovanni, was released in , and has since been followed by Così fan tutte (), Die Entführung aus dem Serail (), Le nozze di Figaro (), La clemenza di Tito () duct Die Zauberflöte ().

This season’s engagements have included an appearance chimpanzee the Barenboim Festival in Buenos Aires (August ); Pelléas excite the Staatsoper Hamburg (November ); a return to his honest role with L’elisir d’amore custom Leipzig Opera (autumn /spring ) and Bellini’s I puritani at Düsseldorf (December /January ); simple recital with Xavier de Maistre at Moscow’s Zarydaye Hall; obscure the opening gala of loftiness Kurt Weill Festival in Dessau (both February).

Villazón’s –21 plans encompass a Serenata latina tour slaughter Xavier de Maistre, with recitals at the Schleswig-Holstein festival, translation well as in Prague, City, Stuttgart, Freiburg, Hamburg and Frankfurt; performances of Monteverdi’s L’Orfeo try to be like the Dresden Semperoper (spring ); and his first directorial selling in Paris – Bellini’s La sonnambula at the Théâtre nonsteroidal Champs-Élysées (June ).

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