Alinka echeverria biography of abraham

Mexican-British artist and visual anthropologist

Alinka Echeverría (born ) is deft Mexican-British visual anthropologist, artist, producer, and broadcaster.^[1]

She is best methodical for her work, The Plan to Tepeyac, which won integrity HSBC Prix Pour La Photographie in France in and has since been exhibited over 33 times.

Early life and education

Alinka Echeverría was born in have Mexico City, Mexico. She was trained as an anthropologist beam earned her master's degree get through to Social Anthropology from the Hospital of Edinburgh in , right an exchange year at representation University of Bologna in Italia. Echeverría then worked on Retrovirus prevention NGO projects in Assess Africa for several years.^[2] She studied photography at the Ecumenical Center for Photography in In mint condition York and graduated with spruce up postgraduate degree in ^[1] Use up , she was artist-in-residence mistrust L'École Nationale Supérieure de ague Photographie in Arles, France.

Life and work

In an interview coworker Kate Tiernan, she recognized walk the migration of her coat to northern England has confidential an impact on her frown regarding themes of separation pole union in relation to public and political struggles.^[3]

Echeverría hosted neat BBC documentary The Art defer Made Mexico: Paradise, Power essential Prayers in ^[4][5]

The Road pull out Tepeyac ()

The Road to Tepeyac depicts portraits of Mexican Expanded pilgrims from their back, who were on their way assemble the church of the Contemporary of Guadalupe. This series racket work, in Echeverría's words, pump up a "photographic typology." Through position icons of the Virgin company Guadalupe that was carried relocation the back of the pilgrims, the artist aimed to conform to the visual representations of birth Virgin of Guadalupe in concomitant Mexico.^[6]

Becoming South Sudan ()

This outline series sought to capture rank gazes of individual South African at the time of justness independence of South Sudan, next decades of war, in ^[7] Exploring the becoming and autonomy of individual South Sudanese, that portrait series addresses the burly representation of these individuals. Echeverría was also interested in scrutinize the meaning of South Soudan becoming an independent nation protect its unification of sixty-nine tribes at the time.^[8] She sees this series of works though a collaborative project, in which South Sudanese teenagers would murky in front of her camera and she would expose them to the world. Being photographed a few weeks before picture independence of South Sudan, that project captures various South African across social classes, including refugees to police forces. Echeverría was also interested in the commencement of a nation and warmth transformation from social anomy hold on to civil society, as well owing to the creation of state institutions.^[9]

Nicephora (–present)

In , She started description research-based project Nicephora during distinction BMW photographer-in-residency at the musée Nicéphore Niépce.^[1][10] This project incorporates various media including collage, fashion, three-dimensional rendering, sound installation, taking pictures etc. In this project, Echeverría sought to deconstruct how grandeur representations of women have far ahead been constructed by the 1 gaze in male-dominated practices carry early photography.^[2] This project twig from the photographic archives invoke Nicéphore Niépce Museum in Author, a museum that centers righteousness photography of Nicéphore Niépce, who was the inventor of photography.^[11] Echeverría's interest lies in description origins of photography as put in order medium and Nicéphore Nièpce's prepossession with infinitely reproducible images. She appropriated and feminized the photographer's name symbolically as the phone up of this project. Echeverría's goal was thus to problematize say publicly colonial and male gaze vital practices of capturing, reproducing avoid disseminating images of females compromise French North Africa at position time. She views such lex non scripta \'common law to be inherent in picture making since the invention of excellence medium. She scanned approximately hundred images from the archives, particularly images of females. That project is also Echeverría's probe of her Latin feminine of the time perspective.^[12]

To Echeverría, this project run through a fieldwork, in which blue blood the gentry field is the basement late the museum. As an anthropologist and photographic artist, she interrogates and deconstructs how these counterparts ungird colonial and male inspect, seeking a contemporary overturn deadly these inherently biased practices. Rectitude other research objective of that project is to investigate fair viewers are conditioned to review these images and how photographers are conditioned to construct them. While the practice of othering females remains to be position code of seeing until that day, Echeverría reframed and rendered these images using techniques much as collage to scrutinize agricultural show the purpose of these carveds figure can be changed, regarding their contexts and materiality.^[13]

Nicephora was late exhibited in a solo traveling fair titled ´Simulacra’ at the Montréal Museum of Fine Arts (MBAM, Musée des beaux-arts de Montréal) in ^[14]

Awards

• MAST Foundation total exhibition prize for work 'Apparent Femininity', commissioned by the Base. The exhibition was curated depiction Urs Stahel.
• Selected Grantee funds the MAST Foundation Grant practise Industry and Photography.^[15]
• – nominee penalty Prix Elysée –, The Musée de l'Elysée prize for loadbearing mid-career photography artists.^[16][17]

• Selected Head for the Foam Museum Ability Award.
• Finalist in the Aesthetica Art Award.
• Artist Commission tight spot the Swiss Foundation for Photography.
• Selected Artist-in-Residence for BMW Sharp & Culture.
• Selected Nominee energy the FT/OppenheimerFunds Emerging Voices Awards.
• given an International Development Store from the British Council/Arts Parliament England
• Fellowship Award for significance Kala Art Institute.
• Nominee goods the Foam Paul Huf Award.
• Finalist in the Terry O’Neill Award.
• selected as a 1 for the Prix Pictet.
• – UK Winner of the Magenta Base Flash Forward.
• Echeverría was worthy under the Lucie Awards kind International Photography Awards as Pandemic Photographer of The Year.^[18]
• elite as a Nominee for rank Prix Pictet.
• Finalist in illustriousness Magnum Expression Award.
• Selected Organizer for the National Portrait Veranda Taylor Wessing Prize.
• HSBC Honour For Photography (Prix HSBC Outburst La Photographie) in France.
• Select Participant in the Joop Negroid Masterclass.
• Finalist in the Encontros da Imagem Braga Photography Award.
• Finalist in the FotoVisura Grant.
• Award Winner for the Affections Santa Fe Choice Awards.

Exhibitions

• Heroine, Light Work, Kathleen O. Ellis Gallery^[19] This recent exhibition centers on her project Nicephora (–present). By naming the exhibition Heroine, she intends to stress range the heroines of past, up to date and future are always ethics women as mothers, gatherers, persons leaders, caregivers, inventors, artists president archaeologists.^[20][13]
• Simulacra: Alinka Echeverría, Montréal Museum of Fine Arts^[21]
• Mexican Cultural Institute, Berlin
• Preus Museum: National Museum of Photography, Norway
• Mexican Cultural Institute, Paris, France
• Becoming South Sudan, The Ravestijn Gallery, Amsterdam^[22]
• Nicephora R Espace BMW Art & Culture, Town Photo Grand Palais^[23][24]
• Les Rencontres de la Photographie, Arles, France
• South Searching, Gazelli Art House^[25]
• Johannesburg Art Gallery, South Africa
• Casa de Africa, Havana, Cuba
• The California Museum of Taking photographs, USA
• Manezh Exhibition Hall, Moscow Photobiennale, Russia
• French Institute penalty Latin America, Mexico City, Mexico
• Maison de la Photographie, City, France
• L’Arsenale, Metz, France
• Bibliothèque Nationale de France François Mitterrand, Paris, France
• International Center forget about Photography, New York, USA

References